dave lynch":3fzl95f7 said:
SGarrett":3fzl95f7 said:
Rob the Drummer":3fzl95f7 said:
xdoseonex":3fzl95f7 said:
i just switched from a hard plastic round axis beater, to a hard plastic round sonic hammer beater. the sonic mammer has more attack because of the increased surface area. if you punch somones bare skin how much soud does it make? now open your hand to increase the surface area thats connecting when you hit, and open handed slap someones bare skin. the slap makes more noise on contact (attack) because of the increased surface area
Dude, the skin on skin contact makes the slap sound....nothing to do with a drumhead. Slap a table with a flat open hand, then hit it with your knuckle. The knuckle will create more punch, but the open hand will create more "boom" if you will.
Exactly.
I feel it may be more like this..The open hand will create more slap and the knuckle will create more knock...Slap = slapping your bare leg with your hand...Knock = knocking on a door...Tuning and dampning will make the difference inbetween..Aww heck..just my .02
Yep, same thing. If I want a big slap of a sound I turn my DW beater around. The drum isn't as loud on the audience side though. The only thing that matters is how your kit sounds 15-20+ feet in front it. A lot of times you'll get your kit sounding big, fat, and wet to you. Then you go stand in front of it while someone else plays and it sounds like absolute crap. Then the next thought is sometimes, "they'll be mic'd anyway." True and very valid. However, the better your drums sound before being mic'd, the better they'll sound coming through the P.A.. Of course, this is leaving tuning and head selection completely out. Too many variables there.